Friday, September 6, 2013

Beware the Onset of the Color Grey: Blade Runner


When it rains in this movie, it absolutely (and literally) poors. The very first piece of information we are provided with as the film Blade Runner appears before our eyes are words describing the setting, because, quite frankly, any viewer would not have been able to discern this piece of information without the help of those words. This film could have literally been placed in any country's large city, or even on another planet - nothing is recognizable. However, the idea of the future of a place we already know is more likely to interest us; despite how much absolute chaos surrounds the setting, we can relate to it because we have known Los Angeles in the past, which allows it to obtain more futuristic value. Anyway, enough about the first five seconds. Did I even watch this film? (I did).
The culmination of scenes had an effect of making me question throughout the entire movie, from lighting details to dialogue and behavior. It is rung with so many purposeful contradictions that it made me wonder about life. What is life really, and how does right compare to wrong in a world I cannot really claim to know? While watching, I wanted Deckard to kill all the replicants one moment, and I wanted the “evil” Roy to be happy the next. Most of us did not expect Roy to do what he did – so clearly, we are not good judges of his personality. But there is the ongoing debate - who can ultimately decide good or bad? As Roy is chasing after Deckard he questions, “I thought you were supposed to be good. Aren’t you the good man?” In that moment, I realized I that I didn’t know which man was good … who really does? A few of the factors that impact our ability to make ethical decisions include ideas such as emotions, religion, and our relationships – all of which are included in this film.
We are directly informed that replicants do not have emotions, what makes us innately human. If human beings did not have emotions, it would become difficult for us to judge our actions based on how they would affect others.  Replicants can’t feel the sorrows of losing the ones they love or the disappointment that follows discovering a heartbreaking truth… but wait, isn’t that exactly what happens in the movie? Roy is absolutely devastated when Pris’s life has ended and Rachel feels so morose after her discovery that she is not human that she storms out of the room. It struck me as contradictory while watching, but, frankly, as these characters developed emotions, I began to grow increasingly fond of them.   I realized that the less they could feel, the less likely they were to know what was right. Pris is jumping off walls, shrieking, setting the house on fire when she dies, but no real emotion is seen – and she’s suddenly finished and it is hard to feel sorrow for her.
The religious symbolism is my favorite in this one. Some argue that morality and religion are hand in hand – without the latter the first is nonexistent. Arguably, Scott thought this while making the film. For example, Zora is holding the snake, the biblical symbol of temptation – shown completely bare in the film. Not to mention the last chase between Roy and Deckard, which is brilliantly sculpted with “heaven and hell,” a clear testament to religion. Who is actually the judge of humans? Roy unexpectedly becomes the Christ figure in the movie. Deckard takes a leap of faith in life and misses the destination, about to meet his death. As he is hanging, Roy says to him, “quite an experience to live in fear. That’s what it means to be a slave.” We are much too often afraid of taking our own leaps of faith. Throughout the entire movie, we are frightened and uncomfortable, slaves to the experience. Nail through hand, Roy literally “saves” Deckard at the moment of his downfall. In his birthday suit, head bowed, it is finished as Roy sacrifices himself in a final hoorah, convincing me that he has loved. At this point, I no longer knew the criteria to judge which man was good and which was bad, who was right or wrong, which was ethical or unethical. Perhaps that is to be human, and we can only fight to know the truth not certainly knowing if we’ve discovered it. I think the film was designed to make us feel all those feelings of discomfort and uncertainty that we often try to avoid – it forces us to delve deep within our own psych and ponder, and it did a great job of doing that for me. 

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